Note "Building Provincetown" in the memo section. If you want store pick-up, just note that in the memo section. Thanks!
David Dunlap’s unique black-and-white volume on the architecture — and related history — of Provincetown was first published by the Town of Provincetown in 2015. Two initial printings quickly sold out, and the book has been out of print since. This new edition, includes full color, with a new introduction by John DaSilva, FAIA, to accompany the introductions from the original edition.
“From the first page, I was under Anna Solomon’s spell.” —Sue Monk Kidd
From the author of The Book of V.,a novel chosen as a must-read book by TIME Magazine, InStyle, Good Housekeeping, The Millions, the Minneapolis Star Tribune, and BookPage
Set in 1920s New England, the story of two women who are both mothers to the same unforgettable girl—a big, heartrending novel from award-winning writer Anna Solomon
One night in 1917 Beatrice Haven sneaks out of her uncle's house on Cape Ann, Massachusetts, leaves her newborn baby at the foot of a pear tree, and watches as another woman claims the infant as her own. The unwed daughter of wealthy Jewish industrialists and a gifted pianist bound for Radcliffe, Bea plans to leave her shameful secret behind and make a fresh start. Ten years later, Prohibition is in full swing, post-WWI America is in the grips of rampant xenophobia, and Bea's hopes for her future remain unfulfilled. She returns to her uncle’s house, seeking a refuge from her unhappiness. But she discovers far more when the rum-running manager of the local quarry inadvertently reunites her with Emma Murphy, the headstrong Irish Catholic woman who has been raising Bea's abandoned child—now a bright, bold, cross-dressing girl named Lucy Pear, with secrets of her own.
In mesmerizing prose, award-winning author Anna Solomon weaves together an unforgettable group of characters as their lives collide on the New England coast. Set against one of America's most turbulent decades, Leaving Lucy Pear delves into questions of class, freedom, and the meaning of family, establishing Anna Solomon as one of our most captivating storytellers.
“Anna Solomon writes with a poet’s reverence for language and a novelist's ability to keep us turning the page. A gorgeous and engrossing meditation on motherhood, womanhood, and the sacrifices we make for love.” —J. Courtney Sullivan
About the Author
Anna Solomon is the author of The Little Bride and The Book of V. She is a two-time winner of the Pushcart Prize. Her short fiction and essays have appeared in publications including The New York Times Magazine, One Story, Ploughshares, Slate, and MORE. Coeditor with Eleanor Henderson of Labor Day: True Birth Stories by Today’s Best Women Writers, Solomon previously worked as a journalist for National Public Radio. She was born and raised in Gloucester, Massachusetts, and lives in Brooklyn, New York, with her husband and two children.
Chosen as a must-read book for summer 2016 by TIME Magazine, InStyle, Good Housekeeping, The Millions, the Minneapolis Star Tribune, and BookPage
“Gorgeously moving . . . a dazzling exploration of the impact of roads untaken on motherhood, class, and gender. . . . Solomon expertly works on a large, mesmerizing canvas, with an almost dizzying array of characters, each moving the terrific drama of the book. . . . [She] renders each character so exquisitely complex, they could be the heroes of their own novels. . . . It’s impossible to stop reading, because Solomon has made us care so much for all the characters, because she’s fashioned a world so real, you can taste the salt spray and smell the heady fragrance of the ripe pears.” —The Boston Globe
“Solomon’s strong prose and fleet pacing consistently provide the essential pleasures of a good story well told. . . . This is a book governed…by earnest empathy, a desire to give each character opportunities for growth and betterment, bravery and openness.” —Maggie Shipstead, The New York Times Book Review
“Solomon is a beautiful writer, and her prose brings people and scenes achingly alive. . . . Her characters’ struggles with motherhood and identity would be compelling in any era.” —Entertainment Weekly
“Leaving Lucy Pear is not just a hypnotic page-turner; it’s also a beautifully written story of women and motherhood played out against a 1920s American historical backdrop. . . . With its lessons about accepting the past and making choices about the future, Leaving Lucy Pear is a satisfying, insightful, and memorable book.” —Jewish Book Council
“Solomon does a good job of showing the ways in which different actors, each trapped by the constraints of sexuality, religion, ethnicity, and class, act and interpret the actions of others. Looking out from their isolated, self-interested or self–protective shells, the characters circle one another, unable to close the chasms that separate them.” —Lilith Magazine
“Anna Solomon's novel invites you in with tons of atmosphere, from the foggy New England location to the 1920s culture to the gender politics. You'll get lost in this story, which feels truly new and fresh.” —Good Housekeeping
“Beautiful and expansive . . . The connection between these two mothers, Bea and Emma, is profound and particular.” —Edan Lepucki, The Millions
“With poetic prose but a larger understanding of the precarious world of 1920s New England, Solomon proves herself as one of the most striking novelists of the day.” —The Millions (Most Anticipated: The Great Second-Half 2016 Book Preview)
“Solomon threads class differences and ironies throughout her sophisticated narrative. . . . Through her ornately descriptive style, we get to know the inner and outer selves of the co-mothers.” —The Improper Bostonian
“The worlds of three women collide on the coast of Massachusetts in the 1920s in this beautifully told tale of a young woman’s journey to discover herself.” —Minneapolis Star Tribune
“A thoughtful examination of class in the early twentieth century. . . . Anna Solomon is wise in the ways of mothers and daughters, the ties that bind, the gulfs that separate. Leaving Lucy Pear offers unforgettable characters and many small, meaningful, emotional moments set against the backdrop of larger history, and Lucy Pear, that strong, smart girl, is a character to remember and to root for.” —New Orleans Public Radio's “Reading Life”
“The well-crafted chapters—some could stand alone as short stories—are handsomely written [and] sometimes poetic. . . . Leaving Lucy Pear is recommended to readers who enjoy historical fiction, a cast of well developed mainly female characters, and handsome prose.” —New York Journal of Books
“Leaving Lucy Pear works extremely well on multiple levels . . . but the real highlights are its characters and the author’s clear empathy for them. . . . With delicate precision, Solomon illustrates their desires and fears, both voiced and unvoiced.” —Historical Novel Society
“Spanning the Great War and Prohibition and deftly delving into the social issues of the time, Leaving Lucy Pear is the perfect choice for readers who appreciate the rigor and richness of literary fiction.” —BookPage
“Solomon’s . . . razor-sharp prose scrapes her characters raw as she plants them deeply in the history and turmoil of 1920s New England. A beautifully rendered tale of discovering one’s true nature. Highly recommended.” —Library Journal (starred review)
“Penetrating. . . . Repeatedly opting for the less predictable outcome, Solomon reaches resolutions marked with the same reflective maturity as the rest of this solidly absorbing novel. Slow-movement storytelling: fully-fleshed, compassionate, and satisfying.” —Kirkus Reviews (starred review)
“Ambitious and satisyfing . . . [a] lushly written look at two women's haunting choices.” —Publishers Weekly
“Quietly powerful. . . . Solomon excels at portraying flawed characters whose passive-aggressiveness overrides their search for love and success. But when the two mothers play tug-of-war for Lucy, readers cannot help but empathize with all involved. [A] moving story.” —Booklist
“From the first page, I was under the spell of Anna Solomon’s emotionally engaging novel about the devastating choices we make and the unexpected consequences they bring. This is a fine literary tapestry woven with beautiful language, complex characters, and a precise probing of human desires and demons.” —Sue Monk Kidd, New York Times bestselling author of The Invention of Wings
“Anna Solomon writes with a poet's reverence for language and a novelist's ability to keep us turning the page. Leaving Lucy Pear is a gorgeous and engrossing meditation on motherhood, womanhood, and the sacrifices we make for love.”—J. Courtney Sullivan, New York Times–bestselling author of Maine and The Engagements
“Leaving Lucy Pear is that rare combination of stunning language, raw emotion, and profound wisdom that catches you up and wrings you out and yet somehow leaves you fuller than when you began. In this tender new novel, Anna Solomon looks at our most fundamental relationships—between mothers, children, and lovers—with more compassion and grace than seems humanly possible.” —Celeste Ng, New York Times bestselling author of Everything I Never Told You
“In Anna Solomon’s marvelously textured new novel, Cape Ann in the late 1920s thrums with the issues of the day. When two seemingly dissimilar women become bound to the same child, we’re given a piercing and often profound look at motherhood, what it is and isn’t, as well as the ways suffering makes and unmakes us all, sometimes many times over. Solomon is an enormously gifted writer, and her penetrating tale will linger in your mind long after the last page has turned.” —Paula McLain, New York Times bestselling author of The Paris Wife and Circling the Sun
“A marvel of a novel, bursting with intelligence, insight, compassion, and truth. Anna Solomon is an extraordinarily gifted storyteller.” —Robin Black, nationally bestselling author of Life Drawing
“A mosaic of longing: a cast of characters wrestling with lives they might have led, keeping secrets that could free them, and building uncertain futures. With great empathy, Anna Solomon transports us to an evocative and overlooked time and place in this morally complex and deeply satisfying story.” —Christopher Castellani, author of All This Talk of Love