We're very excited to welcome Christopher Castellani "Leading Men" to East End Books Ptown on Friday August 30th at 7 pm! Chris will be reading from his book and signing copies. "Leading Men" is the book of the month at East End Books Ptown. Buy the book in advance on our website. RSVP & get your free ticket via Event brite here.
About the Author
Christopher Castellani is the author of three previous novels (the trilogy A Kiss from Maddalena, The Saint of Lost Things, and All This Talk of Love) and The Art of Perspective, a book of essays on the craft of fiction. He is the son of Italian immigrants, a Guggenheim fellow, and the artistic director of GrubStreet, one of the country's leading creative writing centers. He lives in Boston.
“Vividly reimagines the relationship between Williams and Frank Merlo, and offers intricate thoughts about the nature of fidelity, the artistic impulse, and estrangement . . . [Castellani’s] scenes glitter . . . This book is a kind of poem in praise of pleasure. Its author knows a great deal about life; better, he knows how to express what he knows. But this is an alert, serious, sweeping novel. To hold it in your hands is like holding, to crib a line from Castellani, a front-row opera ticket.” —The New York Times
"A seductive, steamy novel of Tennessee Williams and his lover . . . Castellani's quiet portrayal of Merlo has a deep, aching appeal . . . [His] prose has a beguiling lilt and color, whether he's evoking his characters' evasive or erratic emotions, or conjuring the far-flung locales where these globe-hoppers touch down." —The Boston Globe
"Real and imagined lives collide as Tennessee Williams and his longtime lover Frank Merlo befriend a young Swedish woman named Anja on the glittering Italian Riviera in July 1953. Though entirely fictional, the enigmatic Anja, who goes on to reluctant fame and fortune as an actress, propels this story of desire, ambition, and heartbreak." —People
“Gorgeous and sweeping . . . [a] sumptuous work of historical fiction . . . [Leading Men] manages to capture the lightning of these massive artistic figures on the page with such force, it does feel as if you have tiptoed around Williams’s desk in Rome while he was busy writing a masterpiece.” —Interview
"Audacious . . . [Castellani’s] novel not only exults in the historical synchronicities and proximities he has discovered but catches the reader up in its rapture." —The New York Times Book Review
"Touching . . . Castellani knows his people . . . and he knows this world." —The Washington Post